New split with Alan Courtis out on Australian label Killbot Records. Thanks to Saul and Alan for cooperation
http://www.killbotrecords.com/
вторник, 27 мая 2014 г.
Alan Courtis/Dao De Noize - 7" Split
New split with Alan Courtis out on Australian label Killbot Records. Thanks to Saul and Alan for cooperation
http://www.killbotrecords.com/
четверг, 10 апреля 2014 г.
Dao de Noize / Hohner Comet
New split with Hohner Comet out on ᛉdnirgal Prods. label. Thanks to Javier and Redha for cooperation)
http://ydnirgal.com.ar/
http://www.discogs.com/Dao-de-Noize-Hohner-Comet-Dao-de-Noize-Hohner-Comet/release/5473931
суббота, 25 января 2014 г.
No Kill Compilation
"It’s been one year for this label and it’s important to begin a tradition that represents blackseed. This compilation is it! The cost of production is completely covered by blackseed as part of the total donation. The material is completely donated by the artists. 100% of all proceeds of the purchase price will go to a No-Kill Animal Shelter to assist in providing food, medicine, and warmth for some creatures that need our help. The packaging is 100% recycled product: Digital Vinyl CD-R Enviropak."
http://www.blackseedrecords.com/
Voice review
Review of album Voice appeared on Vital Weekly webzine #914. Thanks to Frans
In the last few years I have been to Russia a few times, and every time I am there the conversation is directed towards the work of Muslimgauze. Obviously due to the fact of any previous liaison to Staalplaat from this end, one assumes (wrongly) that I met him and liked his music. On both instances: I didn't and I don't. I can see why people like Muslimgauze, as he surely had an unique voice in music, combining samples from ethnic music with harsh rhythms of his own; middle eastern chants combined with his own tabla banging. A lot of his work always seemed a bit unfinished, like ideas thrown to tape and shipped off to said record company. It became, I guess, part of his esthetic to do so. There is still great admiration for Muslimgauze's music, even fifteen years after his sudden death. So I can understand why Ukrainian artist Doa De Noize wants to do a tribute, but how to go about with such a thing? That is a bit harder I guess. Dao De Noize takes all the ingredients of Muslimgauze, the tabla's, the raga like drones, the chanting and mixes that with a bit of noise from himself into three long pieces. These pieces sometimes seem to contain more pieces within, just like some of Muslimgauze's work did, and one wonders: why not cut them up into smaller pieces? Maybe in the Muslimgauze days harder to do with DAT machines, but nowadays, with computers and such? I may not be Muslimgauze's biggest fan, but some of his releases I liked, and I may have heard them all; so I can fairly say that Dao De Noize's tribute is a brave attempt in sounding like his idol, but he lacks some of the refinement that Muslimgauze also seemed to have, despite the quick work around methods. Dao De Noize is more of the brutal force kind without such refined. But you never know: suppose Dao De Noize fancies himself the new Muslimgauze and produces a similar endless stream, then of course that might change. No doubt the Eastern die-hards, who even organize nights of solely Muslimgauze, would be open to such a follow-up, I can imagine. Me? I'd be rather be ambivalent about this.
Frans De Waard
http://www.vitalweekly.net/914.html
In the last few years I have been to Russia a few times, and every time I am there the conversation is directed towards the work of Muslimgauze. Obviously due to the fact of any previous liaison to Staalplaat from this end, one assumes (wrongly) that I met him and liked his music. On both instances: I didn't and I don't. I can see why people like Muslimgauze, as he surely had an unique voice in music, combining samples from ethnic music with harsh rhythms of his own; middle eastern chants combined with his own tabla banging. A lot of his work always seemed a bit unfinished, like ideas thrown to tape and shipped off to said record company. It became, I guess, part of his esthetic to do so. There is still great admiration for Muslimgauze's music, even fifteen years after his sudden death. So I can understand why Ukrainian artist Doa De Noize wants to do a tribute, but how to go about with such a thing? That is a bit harder I guess. Dao De Noize takes all the ingredients of Muslimgauze, the tabla's, the raga like drones, the chanting and mixes that with a bit of noise from himself into three long pieces. These pieces sometimes seem to contain more pieces within, just like some of Muslimgauze's work did, and one wonders: why not cut them up into smaller pieces? Maybe in the Muslimgauze days harder to do with DAT machines, but nowadays, with computers and such? I may not be Muslimgauze's biggest fan, but some of his releases I liked, and I may have heard them all; so I can fairly say that Dao De Noize's tribute is a brave attempt in sounding like his idol, but he lacks some of the refinement that Muslimgauze also seemed to have, despite the quick work around methods. Dao De Noize is more of the brutal force kind without such refined. But you never know: suppose Dao De Noize fancies himself the new Muslimgauze and produces a similar endless stream, then of course that might change. No doubt the Eastern die-hards, who even organize nights of solely Muslimgauze, would be open to such a follow-up, I can imagine. Me? I'd be rather be ambivalent about this.
Frans De Waard
http://www.vitalweekly.net/914.html
среда, 18 декабря 2013 г.
Anla Courtis / Dao De Noize – Psych 9( A Tribute To ASTRO)
New split with Alan Courtis out on Psych K.G. label. Its tribute to noisemaster Hiroshi Hasegawa(Astro,C.C.C.C.). Thanks to Alan and Matthias for work on this split
Part 9 of the 7" Lathe-Cut Serie on Psych.KG, this one contains
cosmic noise/experimental music
http://www.mndr.de/
Noise Pigs
Dao De Noize appeared on Acclimate album Noise Pigs with sound source(track Trip) released on Samboy Get Help!.Thanks to Artemis for work and cooperation.
http://www.samboygethelp.co.nz
пятница, 18 октября 2013 г.
Review of Dao De Noize/Naoki Ishida split
Review of Dao De Noize/Naoki Ishida split appeared on Igloo electronic music magazine.
A new Split Series inaugurated by Dao De Noize and Naoki Ishida, on which the pair share a single track bookended by solo work. In fact, it is split and split again, as it features remixes by a further two artists. Like Indian ragas, the pieces seem composed and arranged to be played at specific times of day, following the sun across the sky. Despite the punked-out Buddhist monicker, Dao De Noize is from Kharkiv in the Ukraine and his opening “Clear View (Yugen)” is an epic, resplendent marriage of ablative electric static and shoreline field recording with small, round bells, stretching nearly twenty-four minutes. Trembling as they become “Clear Noon” by the duo, Loran C remixes them into an exhilarating state of pure ambient shimmer.
Naoki Ishida—from whose distinctive solo catalog the present reviewer heartily recommends Light Scaped the World? and Tone Redust—begins his solo turn at “Forenoon,” followed by “Dawn” (perhaps the clock is going backwards because some sounds are?) and a remix of the latter by Osaka “ethereal drone” duo Sarry. “Forenoon” shears some of the peal off those bells into thin, curling slices festooning deeper, mesmerizing, sustaining tones. “Dawn” is misty and fog horns blare in the distance as the harbor awakes. The remix bleeds all the color out of this scene, revealing black and gray wraiths and ghost ships in all their tatters. A remarkably rich and coherent disc considering all the hands involved.
Stephen Fruitman
http://igloomag.com/reviews/dao-de-noize-naoki-ishida-split-series-1-zero-kei
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